For me, this sounds incredibly interesting, and I’ll definitely have to track it down. Well this particular myth was written by a woman, and it’s one of the oldest that we have. And I think sometimes in order to get to the underbelly, you have to put the other down. The Sundance Film Festival organizer, Geoffrey Gilmore , praised Kampmeier for trying to cover “challenging material”. That’s what I’m learning. French Louie French Restaurant. You need to be smart about how to navigate the material world. But they were very receptive and I think it spoke to them.
There’s a very specific style of theater directing represented by Athena in the film—the creation of a safe space, mirroring, very physical action. After my first film was nominated for two Independent Spirit Awards, I was like, “OK, here we go,” and that wasn’t the case. There’s resistance to seeing it, just as there’s a resistance in Inanna to seeing it. Female bodies are presented from the point of view of a male gaze. We’re trying to find ourselves. Pages Liked by This Page. Living people American women film producers Film producers from Tennessee American women film directors People from Chattanooga, Tennessee births Film directors from Tennessee Screenwriters from Tennessee. You feel it in the masks, I believe.
She knew the myth well, and appreciated the differences in my screenplay to the myth. The Rumpus Mini Interview Project Yeah, it’s been really interesting. Pages Liked by This Page.
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And I think that the acceptable self is what’s forced down our throats from day one, as women. You need to be smart about how to navigate the material world. We premiered at the Sarasota Film Festival, and that’s kampmieer very particular audience — it’s a retirement community. What does that journey look like? Views Read Edit View history. Let’s journey into the abandoned self, which is usually the dark stuff; the rage, the raw sexuality, the grief, the dsborah. But debroah you gotta come back and figure out how you’re going to make it work in the culture we live in.
HounddogVirginSplit. I’m interested in showing the experience in going from, as Inanna does, a place of repression and abuse around sexuality into a place of power and pleasure and rage.
That’s part of the myth: In life, we carry a social mask.
I really believe that doing that scene first created the environment that’s reflected in the rest of the film. Was your directing process on set similar? And that’s a big part of the power of this myth for me, to be able to hear our true voice.
I had gone online to see if anyone had done a production of “The Descent of Inanna,” and there was one in Mexico that looked amazing and I reached out to the designer, Eloise Kazan, who’s a genius. The director’s daughter, Sophia Oppenheim, also appears in the film in her acting debut. I feel very strongly that sexuality is integral to our creativity, to our life force, and when we are separated from our sexuality as women and girls, there’s this huge chunk of our soul that’s been stolen from us.
You feel it in the masks, I believe. Archived from the original on 25 April French Louie French Restaurant. It was fascinating how, as masks will do in theatre, they transformed with each actress who put them on. Can you talk about how it’s different? And people are not going to be able to hear it. Kiko Ellsworth Public Figure.
On Prime Video Watch Now. See more of Split a film by Deborah Kampmeier on Facebook. Female sexuality is presented in our culture as a male fantasy. For me, this sounds incredibly interesting, and I’ll definitely have to track it down. I am, and that does surprise me.
Deborah Kampmeier – Wikipedia
Living people American women film producers Film producers from Tennessee American women film directors People from Chattanooga, Tennessee births Film directors from Tennessee Screenwriters from Tennessee.
At least there are a kampmeiwr of conversations being had about it, and I hope this time the pressure stays on to change that.
As it is your third time around, do you feel like you’ve learned any tricks to getting that financing? Sriracha—a documentary film by Griffin Hammond Movie.
‘SPLit’: Why Claiming Your Darkness is Essential to Making an Effective Film
How Much Have You Seen? Part of what’s so beautiful with all kampmeeier the groups that are starting to pop up, like the Film Fatalesis there are a lot of female filmmakers who are banding together to support each other, both practically and emotionally. That’s what I’m learning.
Edit Personal Details Height: The Sundance Film Festival organizer, Geoffrey Gilmorepraised Kampmeier for trying to cover “challenging material”. I force my actors to do an initial exercise that I call “eye contact,” and then kampmieer that point on, part of what I do as a director is listen to how that particular actor likes to work. The chorus of women in the film have done this and are pushing Inanna to claim her own sexuality and rage.
New interview at Filmmaker Magazine! What advice would you give to women filmmakers looking to make less mocies films like this? From knock-out performances to Green Book scooping up the night’s top prize, relive the best moments from this year’s Oscars.